Fashion concept illustration process
A hooded figure built the way a garment is: silhouette first, then the weight of the cloth, and the surface pattern last.
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The written description covers the same ground.
What the film shows
A silent time-lapse, thirty seconds. It opens on the finished drawing, then goes back to almost nothing: a capped head alone on white. Figures are sketched and reworked before one settles, a hooded figure seen from behind in a cropped jacket, wide shorts and tall boots. The outline is loose and open at first, then blocked in solid black, and the looping white line across the jacket is added at the very end, over work that was already finished without it.
The whole garment is resolved as shape and weight before any decoration exists, and the looping line that makes the piece recognisable is the last thing to go on.
The pattern looks like the point. In the making it is the finish.
What it produced
The work →
Fashion concept illustration